Posts Tagged ‘cryptoarchaeology’

No Your Dinosaurs! Who Knows for Certain What Dinosaurs Actually Looked Like? Nobody!
Except Perhaps the Eyewitnesses Responsible for the Ancient Dinosaur Art at the Peabody.

Amusing?, Church of Darwin, Crypto, Dinosaurs in Literature, s8int.com, Science, Sophistication of Ancestors, Unexplained Artifact | Posted by Chris Parker
Oct 19 2013


Isaiah 35:7
“And the parched ground shall become a pool, and the thirsty land springs of water; in the habitation of dragons, where each lay, shall be grass with reeds and rushes.”

           
“No Your Dinosaurs! Who Knows for Certain What Dinosaurs Actually Looked Like? Nobody! Except Perhaps the Eyewitnesses Responsible for the Ancient Dinosaur Art at the Peabody”. by Chris Parker, s8int.com
           

Before you vote; See the follow up to this article Holding On to the Faith of Darwin Though the Hand of God’s Dinosaurs Be Upon Thee

Did Ancient Artists See and Memorialize Dinosaurs In Their Art?

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Prologue

In the movie; “The Princess Bride” an important character, Inigo has a conversation with the man in black during a sword fight and that conversation has become a trope in television and movies (convention or device used in creative works). The conversation goes something like this:

Inigo: “I admit it: you are better than I am!”
Man in Black: “Then why are you smiling?”
Inigo: “Because I know something you don’t know.”
Man in Black: “And what is that?”
Inigo: “I AM NOT LEFT HANDED” [Switches the sword to his right hand and starts driving him back]

I sometimes have the feeling that I am in Inigo’s position when I find myself in a conversation with someone about man and dinosaurs living at the same time.

“You believe that man and dinosaurs lived together at the same time within the last 10,000 years they’ll say incredulously”? Or perhaps they’ll say it sneeringly, or contemptuously or in some rare cases even sadly or compassionately.

They are quite certain that they have the upper hand, the science, the good sense, the pure knowledge the unmitigated certainty. They slap their foreheads. They roll their eyes. All that. They believe that they are winning this “fight”-discussion-debate because-come on! They may even be fellow believers.

They’re thinking that I have set science aside for some kind of blind faith belief in what science has said is impossible-for the sake of the Bible. They’re thinking I’m living in some anti-science anti-evidence bubble. However, as a Christian I have choices. I could believe as some Christian’s do that God created through evolution and that man and dinosaur did miss each other by millions of years.

I could believe that the dinosaurs were wiped out in the flood and thus man and dinosaur barely met. I could believe as some Christians do that God sent unbelievers a strong delusion because of their unbelief (Romans 1) and simply put the bones of animals that never existed in the ground in order to further delude them.

I could simply choose not to speak when this topic is raised thinking that as a Christian it is outside of my pay grade, that the answers are unknowable. I could choose to be cowed by the sheer numbers of people who unblinkingly accept the current paradigm.

Caption: The Real Postosuchus? See Below

But I know something they don’t know. I took a fact based approach. I went where the evidence took me and in this internet age the truth can be found. Many non-Christians don’t know that faith is supposed to be built- not on nothing as they assume—but on evidence. “Now faith is the substance of things hoped for, the evidence of things not seen.” Heb 1:1

I have spent a lot of time sifting through the evidence in ancient history, the work of ancient “biologists” the articles in old newspapers and recently the evidence in world famous archaeological museums. The evidence is clear. The evidence is persuasive.

The evidence proves that dinosaurs and man lived together all over the world in the last few thousand years. Now, the Bible is a “type” of sword and in this dinosaur and man conversation we’re having they are the ones who don’t have the facts or the truth. There is a reason why I am smiling:– I AM NOT LEFT HANDED!

Peabody Museum Zoomorphic Stone Heads

Historians say that dragons appear in the history and art of virtually every ancient culture (as do stories of a great flood). Here’s an interesting fact along those lines; no matter what culture a piece of ancient art comes from everyone can instantly recognize a dragon. Isn’t that interesting? Here we have a supposedly completely mythological creature, a product of the imagination of man and culture and yet they agree across geography and time in the salient characteristics of their portrayals with the added peculiarity that everyone knows that they are dragons?

No modern artist who works for a science journal or a museum or is otherwise engaged in depicting dinosaurs from a few bones is going to draw a dragon-like creature. So, although dragons are reptilian, frightening sometimes preternaturally large creatures—and so are dinosaurs they don’t often look much alike when you get down to the details. But here’s the rub when it comes to that; no one living actually knows what dinosaurs looked like.

In prior articles on this topic we’ve often quoted Discover Magazine on this point;

There’s a running joke among professional dinosaur artists that goes like this: Given just an elephant skeleton, they’d probably render a titanic hamster. Does anyone know what dinosaurs really looked like? Sure we do. We see them everywhere, not just in the museums, but in magazines, movies, even in value meals at McDonald’s. But all of these lifelike renderings are mostly artistic interpretations based on very sparse scientific evidence. Discover Magazine, What Did Dinosaurs Really Look Like? By William Speed Weed, Christopher Griffith|Friday, September 01, 2000

http://discovermagazine.com/2000/sep/featdino

Of course, Discover Magazine isn’t the only source that admits that science is just guessing when it puts forth a drawing or illustration of a dinosaur—particularly when many dinosaurs are only known from a few bones.

A new book entitled “All Yesterdays: Unique and Speculative Views of Dinosaurs and Other Prehistoric Animals” by paleo artists C.M Koseman and John Conway is a review of dinosaur depictions and misconceptions in science art and a speculation about potential alternate depictions. They are basically letting the reader in on their secret that the work they do is simply informed speculation.


In the photo on the right they freely speculate on how a dinosaur paleontologist might have interpreted the bones (absent muscle and soft parts) of the cow and the housecat (bottom).

This interpretation problem makes it tougher on “crypto-zoo-archaeologists” like me. My hypothesis that man and dinosaur lived during the same age and that the ancient peoples would have left evidence in the form of their art, history and artifacts is complicated by the fact that the work of paleo artists today might not match up with the work of the actual eyewitnesses living in the past.

Thus, for instance a dinosaur in an archaeological museum like Harvard’s Peabody Museum might be perfectly depicted by the ancient artist but not match up with current thinking on how that dinosaur looked and go unrecognized; categorized as zoomorphic, unknown, animal, mythological creature or simply reptile. (Actually my experience is that any depiction recognizable as a dinosaur or one which is deemed too close does not end up in the front room of the museum in any case).

For example, in eyewitness viewings of what I believe are living pterosaurs over the last few years some have described the creature the saw as “almost prehistoric looking”, which could mean that they saw a living creature that did not completely comport with modern illustrations of the creature.

Moche Culture Vase in the Form of…?

In the last few weeks I set out to prove my hypothesis at the Harvard Peabody, online archaeological museum site as well as at other online collection sites. The Peabody Museum of Archaeology and Ethnology at Harvard University “is steward to one of the oldest and largest collections of cultural objects in the Western Hemisphere”. Other online collections visited include, the Penn Museum, the Met and several Museums of Central and South America.

Could it be shown that creatures that are recognizable as dinosaurs and Not dragons-in the mythological sense are somehow going unnoticed in their online collections? Can we show how specific types of dinosaurs might have been erroneously depicted? In that case, the depiction would have to be close enough for an identification to be made.

In this article and shall we say “collection” I intend to show once again through the arts of ancient peoples that man and dinosaur lived together within the last 5,000 years—but only to the fair and open minded.

           
The Eyewitness to Recent, Ancient History Dinosaur Collection, Part 1

1)Chasmosaurus at the Museo Larco, Peru


Actually it is not a piece from the Peabody that I wish to start with. It is a piece from the Museo Larco that illustrates the points we have been making about identification and misidentification most clearly. (See complete vessel at top of this article).

The Larco Museum (Spanish: Museo Arqueológico Rafael Larco Herrera) is a privately owned museum of pre-Columbian art, located in the Pueblo Libre District of Lima, Peru. The museum is housed in an 18th-century vice-royal building built over a 7th-century pre-Columbian pyramid.

The Inca civilization spanned the period of 1438 to 1533 in pre-Columbian South America. That would make this piece between 500 to 600 years old.

Inca Pot Water Carrier Lima
Museo Larco, Peru

I believe that the animal atop this Inca water carrier (and atop this article) is a ceratopsian dinosaur of a type similar to Chasmosaurus particularly given the placement of its horn and the shape of its frill. Ceratopsians might have broken down neatly into the categories now suggested by science or they could have been as widely divergent as dogs are today. They may have been sexually dimorphic and animals identified as belonging to another species may have only been sexually dimorphic or juvenile versions of other science-identified species.

“Chasmosaurus (/?kæzm??s?r?s/ KAZ-mo-SAWR-?s) is a genus of ceratopsid dinosaur from the Upper Cretaceous Period of North America. Its name means ‘opening lizard’, referring to the large openings (fenestrae) in its frill (Greek chasma meaning ‘opening’ or ‘hollow’ or ‘gulf’ and sauros meaning ‘lizard’). With a length of 4–5 metres (13–16 ft) and a weight of 2 tonnes (2.2 short tons), Chasmosaurus was a ceratopsian of average size. Like all ceratopsians, it was purely herbivorous. It was initially to be called Protorosaurus, but this name had been previously published for another animal.

All specimens of Chasmosaurus were collected from the Dinosaur Park Formation of the Dinosaur Provincial Park of Alberta, Canada. C. russelli comes from the lower beds of the formation while C. belli comes from middle and upper beds. “…Wikipedia


Let me explain what I believe that you’re looking at. It is a ceratopsian dinosaur similar to the Chasmosaurus. It is 500 years old. The right horn has broken off and is probably what is seen on the animal’s right side from the reader’s perspective.

The heavy ceratopsian tail curls up at the back and the animal fits in terms of body shape and tail for a ceratopsian. The animal has a crest and you should be able to see that the complete head, ending behind the horns includes a solid neck frill ending in a ‘V” shape similar to that of the chasmosaurus. In the photo on the left I have thoughtfully replaced the animals missing horn. The artist took pains to make sure that the ceratopsian toes were outlined for the viewer as well.

I believe what we have here is a depiction of a ceratopsian dinosaur that differs slightly from what one expects given modern depictions. The beak is slightly less pronounced-but evident. The horns are actually in the exact place on its head as the horns on modern Chasmosaurus depictions. The creature has growths (possibly pre-horn?) growths on the front of its face that are not seen on ceratopsian depictions.

This is clearly a depiction of a ceratopsian dinosaur by an actual eyewitness some 500 years ago in pre Columbian South America. It should be noted that all the ceratopsia were supposed to have gone extinct 65 million years ago.

           

2)Peabody Museum ”6,000 to 7,000 Year Old” Ceramic Bottle with Bi-Pedal Dinosaur (Iguanodon?) from South America

“Peabody Number: 90-27-30/54866
Display Title: Black ware stirrup spouted vase
Descriptions:
Inventory Description: Ceramic bottle, stirrup spout, chipped rim, animal effigy, molded body, lying on its side.
Classification:
Stirrup spout
Department: Archaeological
Geography/Provenience:
South America/Peru
Materials: Ceramic


The earliest ceramics known from the Americas have been found in the lower Amazon Basin. Ceramics from the Caverna de Pedra Pintada, near Santarém, Brazil, have been dated to 7,500 to 5,000 years ago. Ceramics from Taperinha, also near Santarém, have been dated to 7,000 to 6,000 years ago.” Peabody Museum

This appears to me quite clearly to represent some type of bi-pedal theropod dinosaur. Here we show the artifact on its side so that the identification of this dinosaur is more easily made.
The trio below is shown with two versions of the dinosaur iguanodon, a bi-pedal dinosaur which has been found in North America.

Distinctive features of iguanodon include large thumb spikes, which were possibly used for defence against predators, combined with long prehensile fifth fingers able to forage for food…Wikipedia.

Unfortunately that part of the sculpture has been worn away-like noses in Egyptian artifacts. Part of the tail has apparently broken off as well. I believe that this piece represents a bi pedal theropod dinosaur like iguanodon or a relative.

           

3)Postosuchus Sculpted by Pre Columbians From the Period AD 500-1350 at The Walters Art Museum?
The creature displayed at the top of the pre Columbian incense burner could be called a dragon, a crocodilian (the museum I.D.) or a mythical creature–but no one who believes that dinosaurs and their alleged ancestors died out more than 65 million years ago would ever think of this as a recently extinct, living creature.

Taking that point of view it is easy to ignore the reptilian/dinosaur like armor, the teeth which no lizard ever sported and the distinct horns. In looking at the creature carefully with the assumption that a living creature was being depicted a tentative crypto-zoo-archaeological identification is that of an archosaur like postosuchus.


Postosuchus, meaning “crocodile from Post”, is an extinct genus of rauisuchian reptiles…Postosuchus is a member of the clade Pseudosuchia, the lineage of archosaurs that includes modern crocodilians (the other main group of archosaurs is Avemetatarsalia, the lineage that includes non-avian dinosaurs and their descendants, birds). Its name refers to Post Quarry, a place in Texas where many fossils of the type species, P. kirkpatricki, were found…

Although the heavy build of the skeleton suggests that Postosuchus walked on all four limbs, the extreme shortness of the forelimbs relative to the hind limbs is a strong indication that Postosuchus was able to walk on two legs…Postosuchus possessed heterodonty dentition, which means each tooth was different in size and shape from the others.

A feature of the skull of postosuchus is a “crest” over each eye. Modern artists have had to decide how to draw or illustrate that skull feature and most have not significantly featured them. This piece from the Walters Art Museum has “eye crests” like those of postosuchus which are more clearly featured as crests above each eye.

In other pieces we’ve noted the three toes of a depiction which were similar to dinosaur toes. Postosuchus actually had a different manus and pes than did the dinosaurs. In the minds of scientists postosuchus and its relatives actually preceded the dinosaurs. Of course, most creationists believe that they lived at the same time.


The Museum Description: This incense burner is topped with the portrayal of a caiman or other member of the Crocodylidae family, one of the frequent animal spirit forms of Central American shamans. Its particularly aggressive stance may refer to the practitioner’s battle against supernatural forces.

Many such incense burners were found ritually broken on the slopes of a principal volcano on the island of Ometepe in Lake Nicaragua, the incense burner lid with its smoke issuing from the top mimicking an active volcano.


Among peoples from southern Nicaragua to Mesoamerica the earth was likened to the back of a crocodile floating in the primordial sea, its dorsal scutes being the volcanic north-south backbone that defines the continents of the Western Hemisphere. This incense burner, then, constitutes a profound ritual vessel pertaining to the transition from the natural to the supernatural realms and a symbolic model of the ancient Costa Rican world.


Uh, huh. That’s pretty complicated. Maybe it’s just a depiction of some exceptional local fauna of the time; an or perhaps a small dinosaur of unknown type. Certainly if this same depiction appeared on a site featuring artists renditions of dinosaurs this piece would not be out of place.

The photos above show comparisons of the ancient art work with modern depictions of postosuchus (without the strong “crests” and body armor and in comparison to the skull and the full skeleton of postosuchus. The comparisons appear to me to show a similarity of this depiction with that of one of the archosaurs–such as postosuchus. The feet are not those of a dinosaurs (many are three toed) but the feet of the animal depicted do correspond to that of our identification.

           

4)Nayarit Chinesco “Embryonic Dog” May Be Baby Sauropod


Nayarit is a state in western Mexico. The Nayarit culture from which this artifact comes is from the period 300 B.C. to 400 A.D.—or even older. This piece is said to represent an embryonic dog. Another identification would seem to be in order for this piece.

           
For one thing, dogs do not have necks this long. Here I’ve shown it in comparison to an animal that really did have such a long neck; the sauropod dinosaur.

Nayarit Chinesco Pottery Painted Embryonic Dog
Online Collections Auction
Auction date November 2012
Pre-Columbian, West Mexico, Ca. 300 BC to 200 AD.
Buff pottery, unique representation, elastic form.
Surface has traces of original polychrome color.
Provenance: Ex-Dr. R. Boyd Stifler, Vanderwagen NM.
Rare specimen Authenticity Guaranteed
Condition:Some wear to surface and with nice dendrite
deposits.”..Online Collections

Recently a sauropod embryo was found and the sauropod embryo depicted comes from the “Tiniest Giants: Discovering Dinosaur Eggs”.

Sauropods are supposed to have gone extinct 65 million years ago.

           

5)Ancient Pueblo Culture (1200 B.C.-1500 A.D.) Native Americans of What is Now Arizona Craft Dinosaur Named Aetosaur; Most of Whose Fossils Have Been Found in Arizona

           
Aetosaur Skeleton Top and Ancient Pueblo Artifact below.


“The Pueblo people are Native American people in the Southwestern United States comprising several different language groups and two major cultural divisions, one organized by matrilineal kinship systems and the other having a patrilineal system.

These determine the clan membership of children, and lines of inheritance and descent. Their traditional economy is based on agriculture and trade. At the time of Spanish encounter in the 16th century, they were living in villages that the Spanish called pueblos, meaning “towns””…Wikipedia

This piece comes from a 1936 expedition to the Hopi reservation and was determined to be from one of the Pueblo Native American cultures. It is described by the Peabody Museum as “zoomorphic”. Looking at a list of dinosaur fossils found in Arizona one can quickly see that there is a similarity between the archaeological piece and –the aetosaur. (Angle of aetosaur skeleton head adjusted for comparison purposes.)

“Aetosaurs order name Aetosauria from Greek, ????? (aetos, “eagle”) and ?????? (sauros, “lizard”)) are an extinct order of heavily armoured, medium- to large-sized Late Triassic herbivorous archosaurs. They have small heads, upturned snouts, erect limbs, and a body covered by plate-like scutes. All aetosaurs belong to the family Stagonolepididae.

Most fossils have been found from Arizona, New Mexico, and Texas…Wikipedia

.

Here is a sobering fact for those of us who can accept the fact that the ancient Pueblo people of Arizona actually saw and depicted an aetosaur which supposedly lived from 200 million years ago becoming extinct 65 million years or more ago;


“Since their armoured plates are often preserved and are abundant in certain localities, aetosaurs serve as important Late Triassic tetrapod index fossils. Many aetosaurs had wide geographic ranges, but their stratigraphic ranges were relatively short. Therefore, the presence of particular aetosaurs can accurately date a site that they are found in.”

You see the problem? Aetosaurs were roaming around the North American continent during the span of the Pueblo peoples; 1200 B.C. to 1500 A.D. and one of their artists memorialized the aetosaur in ceramic.

Peabody Number: 36-131-10/8060
Display Title: Zooomorphic black on white potsherd–animal form
Inventory Description: Ceramic, zoomorphic figurine, with tail, opened mouth, two feet, black painted design on back and sides
Classification: Figurine
Department: Archaeological
Culture/Period: Pueblo
Geography/Provenience: North America/United States/Arizona/Navajo County/Hopi Reservation/Antelope Mesa/Awatovi
Intrasite: Test 14
Geo-Locale: Antelope Mesa
Materials: Ceramic Pigment
Provenance: Dr. John Otis Brew (1936)
Provenance: Peabody Museum Expedition (1936)

           
6) Crested Hadrosaur Depiction by the Ancient Peoples of Costa Rica at the Peabody Museum. (Modern Artists May Need to Put Some Weight on the Bones of these Depictions)

Crested Dinosaurs are fairly easy to recognize. Most of the crested dinosaurs are from the Lambeosaurinae of the hadrosaur group. The hadrosaurs were also known as the duck billed dinosaurs.


This depiction forms the legs of an ancient pottery piece. The pot is from Costa Rica, Central America. The crests on the various types of lambosaurines differed in size and shape even among the same species and they likely differed due to age and due to sexual dimorphism.

The hadrosaurs depicted have relatively small, round crests. Here we compare them to a number of known lambeosaurines including corythsaurus.


It is interesting that the depictions are clearly of the same animal but that the portraits differ. The ancient depictions are similar to modern ones except for the apparent weight of the creatures and the size of the eyes depicted.

“Archaeologists now know that civilization existed in Costa Rica for thousands of years before the arrival of Columbus, and evidence of human occupation in the region dates back 10,000 years. Among the cultural mysteries left behind by the area’s pre-Columbian inhabitants are thousands of perfectly spherical granite bolas that have been found near the west coast.


The sizes of these inimitable relics range from that of a baseball to that of a Volkswagen bus. Ruins of a large, ancient city complete with aqueducts were recently found east of San Jose, and some marvelously sophisticated gold and jade work was being wrought in the southwest as far back as 1,000 years ago. Some archeological sites in the central highlands and Nicoya peninsula have shown evidence of influence from the Mexican Olmec and Nahuatl civilizations.

By the time Columbus arrived, there were four major indigenous tribes living in Costa Rica. The east coast was the realm of the Caribs, while the Borucas, Chibchas, and Diquis resided in the southwest. “..geographia.com

Peabody Number: 26-44-20/C9956
Display Title: Small pottery vessel
Descriptions: Inventory Description: Ceramic complete tripod jar, zoomorphic rattle feet (1 missing)
Classification: Jar
Department: Archaeological
Geography/Provenience:
Central America/Costa Rica

           

7)A New Look at Dicynodont Therapsids Like Moschop from the Ancient Peoples Living I Peru, South America


The identity of this animal portrait was unknown apparently and thus it was given the general description “animal effigy” by the Harvard Peabody Museum. Was this animal purely a mythological one seen only in the imaginary eye of the artist—or was it seen with the artist’s actual eyes?

As you will see the depiction of the living therapsid is actually close enough to modern depictions of these types of creatures as to be readily identified. In appearance it is close to that of therapsids such as moschops which we know from fossils found in South Africa.

‘Moschops (Greek for “calf face”) is an extinct genus of therapsid that lived in the Guadalupian epoch, around 268-260 million years ago. Therapsids are synapsids which were at one time the dominant land animals. It was around 2.7 metres (8 ft 10 in) long..

….Moschops was heavily built, and had short, chisel-like teeth for cropping vegetation. Moschops mostly ate plants, but sometimes ate meat. The forelegs sprawled outwards, like those of a modern lizard, but the hind legs were under the body, like those of a mammal.” Wikipedia

Peabody Number: 46-77-30/5868
Display Title: Pottery animal figurine
Descriptions: Inventory Description: Ceramic whistle, animal effigy
Classification: Whistle
Department: Archaeological
Geography/Provenience:
South America/Peru/La Libertad Region///Sausal
Materials: Ceramic


Here we show the ancient, ceramic artifact in comparison to moschop and to another dicynodont therapsid. Moschops and therapsids similar to him supposedly went extinct before the dinosaurs even evolved. Clearly of this ancient Peruvian artifact represents one of these creatures something is extremely wrong with the evolutionary time scale.
           

8) Quapaw’s “Underwater Panther” from the 1500”s Could In Fact Be an Eyewitness Depiction of Dinosaur Such As Tenontosaurus


According to Wikipedia the Mississippian culture was a mound building group of indigenous people who lived in the Midwestern, Eastern, and Southeastern United States from approximately 800 A.D. to 1500 A.D. The collectors at Artsmia.org believe it to be a depiction of a mythological creature called an underwater panther. That makes these people seem “mystical” all right.

But what if it is an accurate depiction of an animal living at the time that we would call a dinosaur-rendered somewhat invisible as a depiction because modern versions of the creature differ greatly? Here is the museum description:

“The prominent colored swirls and eye motifs mark this animal as an Underwater Panther, one of the primary beings in the ancient Mississippian belief system and that of their descendants. The swirling pattern on its sides signifies water, while the eye markings allude to the animal’s unusually keen vision.

Red and white were symbolically significant colors that represented fundamental oppositions such as peace and war, light and dark and the on-going struggle between the celestial and subterranean realms. Underwater Panthers belonged to the subterranean and possessed great supernatural power. Their significance led Mississippian and subsequent artists to depict them frequently in many forms and media, including three-dimensional sculptures like this vessel. “

The toes of this creature appear to be triple toed-similar to a dinosaur. Its tail is very thick in the way dinosaur tails are often illustrated by modern paleo artists. I took a look to see what types of dinosaur fossils were prominent with respect to quadruped dinosaurs in those parts of the United States.


Here we show the “underwater panther” in comparison to tenontosaurus a genus of medium to large ornnithopod dinosaurs. It should be noted that there were a number of ornnithopod dinosaurs found to have lived in those parts of north America which would have had similar body shapes.

The genus tenontosaurus is known from the late Aptian to Albian ages of the middle Cretaceous period sediments of western North America, dating between 115 to 108 million years ago. It was formerly thought to be a ‘hypsilophodont’, but since Hypsilophodontia is no longer considered a clade, it is now considered to be a very primitive iguanodont.

The teeth of this portrait do give me pause. The point is however not that we know the specific type of dinosaur that was sculpted, but rather that it is more likely that it is a dinosaur being depicted here rather than an underwater panther (which itself sounds like a cryptid).

Vessel
Artist Unknown (Quapaw)
(United States, North America), c. 1500
Ceramic, pigment
9 1/8 x 10 3/8 x 5 1/4 in. (23.18 x 26.35 x 13.34 cm)
The William Hood Dunwoody Fund 2004.33

           

9)Metropolitan Museum of Asian Art’s Sauropod Dinosaur from Iran 250 B.C. to 225 A.D.


This artifact is from the Metropolitan Museum of Asian art and is labeled “zoomorphic”. I’m somewhat surprised that they didn’t call it a camel. Clearly however it is a sculpted ceramic in the form of a sauropod dinosaur.

Sauropod dinosaurs went extinct 65 million years ago according to science. This piece was estimated to have been made between 250 B.C. and 225 A.ZD. That period obviously covers the time of Christ.

Zoomorphic vessel
250 B.C.E.- 225 C.E.
Parthian period
Ceramic
H: 15.2 W: 28.4 D: 12.1 cm
Northern Iran, Northern Iran S1987.944

           

10) Ulisse Aldrovandi’s Detailed Drawing of A Long Tailed Pterosaur; Before They Were “Discovered” By Science

Ulisse Aldrovandi (also Aldrovandus) was born in 1522 and died in 1605. He is sometimes referred to as the father of natural history studies. By profession he was a professor of philosophy but eventually became one of the first professors of the natural sciences at Bologna (no offense intended).


Ulisse died 250 years before the first pterosaur was discovered by a scientist and he mistakenly thought it was a sea going creature. It was not until the beginning of the 19th century that science realized that pterosaurs were flying creatures.

“The first pterosaur fossil was described by the Italian naturalist Cosimo Collini in 1784. Collini misinterpreted his specimen as a seagoing creature that used its long front limbs as paddles.

A few scientists continued to support the aquatic interpretation even until 1830, when the German zoologist Johann Georg Wagler suggested that Pterodactylus used its wings as flippers. Georges Cuvier first suggested that pterosaurs were flying creatures in 1801, and coined the name “Ptero-dactyle” in 1809 for the specimen recovered in Germany.” …Wikipedia

After his death his book Serpentum, et draconum historiæ Serpentum, et Draconum was published. In it, was a drawing supposedly from life (well it was dead!) of a dragon which comports very well with a long tailed, crested pterosaur especially given that Aldrovandi was a philosopher and naturalist –and not an artist.

The interesting thing about Aldrovandi’s pterosaur is that it has the crest of the pteranodon and the tail of one of the long tailed rhamphorhynchoid pterosaurs. Although we don’t know this exact pterosaur from science it closely matches modern day eyewitness descriptions and drawings of a long tailed pterosaur. (There are long tail crested pterosaurs known to science but none with the classic bone sticking out the back of its head kind).

Note what might look like another set of small wings at the legs of Aldrovandi’s dragon. It is shown here in the more modern drawing between the pteranodon’s legs. That is called the uropatagium; and since it does not appear on birds it is one indication that Aldrovandi actually saw what he drew.

“some pterosaur groups had a membrane that stretched between the legs, possibly connecting to or incorporating the tail, called the uropatagium; the extent of this membrane isn’t certain, as studies on Sordes seem to suggest that it simply connected the legs but did not involve the tail (rendering it a cruropatagium). It is generally agreed though that non-pterodactyloid pterosaurs had a broader uro/cruropatagium, with pterodactyloids only having membranes running along the legs; Pteranodon in particular might have developed/redeveloped an uropatagium, given the structure of the tail”..Wikipedia

The picture on the right (above) shows Aldrovandi’s dragon compared to Eskin Kuhn’s drawing (bottom, right) from his eyewitness sighting in the 1970’s. Kuhn was an artist and a soldier stationed at Guantanmo Bay, Cuba. His “pteranodon” had both the backwards facing “crest” and the long tail with tail vain of the rhamphorhynchoid pterosaurs. Top right is a modern drawing of a pteranodon without the long tail. Aldrovandi has the tail, crest and bat like wings of a pterosaur.
           

11) Peabody Museum Seeks to Make an Ancient Veraguas Culture Dinosaur Evolve Into a Bird Right Before Our Eyes

The “Bird” effigy ceramic whistle (middle) is from the ancient Veraguas Culture of Panama. That culture inhabited Panama from approximately 700 A.D. to 1530 A.D.

“This culture inhabited the central region of what is now province of Veraguás in Panama. The area extends from the Pacific to the Caribbean coast and includes a number of islands. The climate here is mainly humid and tropical, and the landscape includes wooded areas and valleys suitable for agriculture, as well as high mountains, hilly areas, and coastal lowlands.” Museo Chileno de Arte Precolombino


The ceramic sculpture with three legs does not have the correct number for either the bird (two) or the crested hadrosaur (four). My take is that given the teeth (which birds do not have) and the thick tail this is not a depiction of a bird but rather of a crested hadrosaur such as corythosaurus.

The single combined front legs represent the two front legs of the creature and this is not uncommon with pre Columbian art. One can certainly decide for his or her self.

Peabody Number: 39-90-20/6461
Display Title: Pottery bird effigy whistle. Light brown, probably faded from red.
Descriptions:
Inventory Description: Ceramic whistle, animal effigy with tripod legs
Classification: Ceramic
Department: Archaeological
Culture/Period: Veraguas
Geography/Provenience: Central America/Panama/Veraguas

           

12)Plesiosaur or Dinosaur? Mythological or Cryptozoological?


Here are a number of ancient artifacts that do beg the question; sea monster or dinosaur. It may not be clear what animal the artist has in mind but I believe that they so clearly mirror what modern day artists see as dinosaurs and marine reptiles that they simply cannot be imaginary creatures.

The ancient artist in each case intended to represent an actual living creature and they must have expected the beholder to recognize what the creature was as well. In each of these examples only a portion of the animal is sculpted making the crypto detective work more difficult.

In situations like these the museum or the auction house usually leaves this kind of speculation to the viewer but often uses the term “zoomorphic” as the description. Often as well they will name a creature for which if it were truly what the ancient artist intended he/she would have proven to be a terrible artist. That should drive down prices!

Christie’s auction house described this artifact as a horse which may seem reasonable at first but no horse would have that long a neck. Alternative identifications include the plesiosaur or a dinosaur. Plesiosaurs of course supposedly went extinct around 65 million years ago as did it is claimed, the dinosaur.

The artifact is thought to have come from the period of up to 1,000 Years before Christ.

Christie’s
• Overview
• Features
Lot Description
ANCIENT NEAR EASTERN TERRACOTTA ZOOMORPHIC RHYTON
CIRCA LATE 1ST MILLENNIUM B.C.

One in the form of a seated camel, black glazed, carrying two jars on either side of its back; another in the form of a horse, a strap handle joining the rim to the back of the vessel, a perforation at the top of the head forming the spout, 16 cm. high max.; an Amlash terracotta steatopygous idol, possibly 2nd Millenium B.C., 20.5 cm. high, mounted (repaired); and a bull rhyton, not ancient, 15 cm. high (4)

This item is described as a “serpent” effigy bowl; perhaps a “sea serpent”?


This pottery piece has been categorized as Neeley’s Ferry which are artifacts of one of the ancient group of State of Arkansas cultures. Ancient peoples are thought to have lived in Arkansas between 600 B.C. and 1600 A.D.

The Peabody specifically dated the artifact between 1350 and 1550.

This piece is further described as an earthen bowl, animal. The animal has a head with teeth giving the appearance of either a sea creature with long winding tail or perhaps a dinosaur.


Peabody Number: 80-20-10/21621
Display Title: Neeley’s Ferry serpent effigy bowl head and tail start on body & on short axis
Descriptions:
Inventory Description: Ceramic, complete vessel, bowl, mended, serpent head and tail
Object Description: Earthen bowl, animal. Neeley’s Ferry serpent effigy bowl, head and tail start on body, tail turned on itself, head and tail on short axis.
Classification: Bowl
Department: Archaeological
Date: A.D. 1350 – 1550
Culture/Period: Parkin Phase
Geography/Provenience: North America/United States/Arkansas/Cross County//Halcomb’s Mounds; Arkansas State Intrasite: Grave, 18 inches deep; 2 feet from river

Above shows our “sea monster” at another angle which provides additional detail concerning the shape of the head and tail. By the way, seals have fins and flippers not “tails”.

This final piece is also from the Neeley’s Ferry mounds and is described as a “ceramic effigy vessel of zoomorphic design”.


This artifact was found in a gravesite buried three feet below ground level and has been dated from the period between 1350-1550.

As you can see it is very reminiscent of modern paleoartist’s depiction of theropod or meat eating dinosaurs. Of course, we only have the head but is it possible that the artist saw and knew about a then living version of such a creature?

Or is it more believable that this is an effigy of a mythological animal which accidently reminds us of modern ideas about how dinosaurs looked?

Peabody Number: 80-20-10/21195
Display Title: Ceramic effigy vessel, zoomorphic design
Descriptions: Inventory Description: Ceramic effigy vessel, zoomophic design
Classification: Effigy
Department: Archaeological
Date: A.D. 1350 – 1550
Culture/Period: Parkin Phase
Geography/Provenience:North America/United States/Arkansas/Cross County//Neeley’s Ferry Mounds; Arkansas State # 3CS24
Intrasite: Grave, 3 feet deep Geo-Locale: Saint Francis River, West side of
Materials: Ceramic
Collector: Edwin Curtiss (01/01/1880)

           

Bonus: Nicoya, Pre Columbian Incense Burner Maker Tops Reptilian Artifact with Feet of a Theropod Dinosaur Which is Quite A Feat for Someone Who Missed Dinosaurs by 65M Years



Top left is a pre Columbian Censer (Incensario), from the 10th–12th century. There are many examples of this type of pre Columbian censer topped by a dragon/dinosaur. The excellent example at the top left is at the Metropolitan Museum of Art. If you take the time you can see the full body of a quadruped, dinosaur like creature with an extremely ornate crest or horns. This is typical of these artifacts.

No matter how un crocodile like the animal perched at the top is this type of vessel is known as either alligator or crocodile ware and elaborate stories have been concocted by archaeologists about the sacred nature of crocodiles and alligators in the pre Columbian cultures. Here’s a quote describing the object, top left by the Met.

The flare-footed, spherical bowl of this ceramic censer is enhanced, in silhouette, by the flamboyance of its chimney. Textured, appliqué bands encircle and emphasize the tall smoothness of the chimney. On the perforated cap rests an elaborate crested crocodilian. Smoke from the incense that was burned in the bowl escaped through the holes of the cap and from openings in the animal’s body. The rhythmical texture of the appliqué visually unites it with the surface of the creature’s body where the nubby portions are taken to represent the scutes of the reptile.

Both textured appliqués and scutes are surfaced in white. The spiky crest that surrounds the head is customarily found in incensarios of this period. Crocodilians frequently appear in Costa Rican art, strongly suggesting the supernatural import of these creatures in ancient times…The Met

On the Top right is a photo of one of those pre Columbian artifacts, Nicoya, an incense burner.
what is interesting about the artifact on the top, right is that a close up of the animals feet (bottom left) reveal and striking similarity of its feet as sculpted to that of the theropod dinsoaurs (bottom, right) and unlike those of lizards-or crocodiles.

           

Conclusion: There are hundreds if not thousands of artifacts in museums around the world containing representations of extinct creatures that we now called dinosaurs. The most obvious examples are labeled as fakes and are in provide collections.

Those that are not obvious dinosaurs are labeled dragons, unknown, zoomorphic, mythological, animal etc. Of course many artifacts are just those things. The issue is that when a group (archaeologists) are absolutely convinced that these animals lived millions of years ago all evidence will be viewed to reflect that belief and those that don’t will be reinterpreted, labeled or hidden away.

In any case if you should find that even one of the items in our collection is a dinosaur-or that a dinosaur is the most likely explanation that one should be enough to make you question the current scientific history control. But we understand that bucking the system is difficult to do.

Since I began with a quote from the Princess Bride it might be appropriate to finish with a modified version of another such quote:

Big Science: We face each other as God intended. Sportsmanlike. No tricks, no weapons, skill against skill alone. (not actually a believer)
Believer: You mean, you’ll put down your rock and I’ll put down my sword, and we’ll try to convince each other like civilized people-with facts and evidence?
Big Science; [brandishing rock (public opinion, science mythology, ridicule] I could just wipe you out now.
Believer: Frankly, I think the odds are slightly in your favor at hand fighting.
Big Science: It’s not my fault being the biggest and the strongest. I don’t even exercise.

Denial Is Not Just A River In Egypt: Suppressed Evidence of Human, Dinosaur and Other “Extinct” Fauna Interaction in First Century Roman, Nilotic Art

Church of Darwin, Crypto, Dinosaurs in Literature, s8int.com, Science, Sophistication of Ancestors, Unexplained Artifact | Posted by Chris Parker
Mar 24 2012


By Chris Parker (Repost from s8int.com)

PART 1

PART II


Denial is not just a river in Egypt.

I was reminded of that little witticism this weekend. I left the downtown branch of the public library with a plan to stop by Raul’s for a super burrito, a burrito so large that Ive actually had to take a nap right there under one of Raul’s tables after polishing one off.

I was shocked to discover that Raul’s was no longer there. It had been replaced by a new sushi place.

Raul’s place had replaced a deli restaurant, which had in its turn replaced a pizza shop. I recall that some time ago it had been some kind of smoothie/coffee shop.

Only denial could explain why each new owner believed that his restaurant would succeed where all the others had failed-and why a bank would keep making loans at the location.

“Denial is the refusal to acknowledge the existence or severity of unpleasant external realities or internal thoughts and feelings.”(free Dictionary) Denial is the Lingua Franca of the human race and the state of denial is larger than the State of California.

When it comes to the issue of dinosaur and human co-existence, denial is also of course in operation. On the Christian side, some but not all have chosen to deny that dinosaurs even existed for fear that there existence might somehow discredit the Bible.

Materialists, rationalists, and/or Atheists similarly seek to discredit any evidence that proves or might tend to support the fact that dinosaurs and humans coexisted for fear that such proof might discredit evolutionary theory.

Palestrina Mosaic. CLICK HERE FOR HIGH RESOLUTION NILE MOSAIC IMAGE

In this article s8int.com will once again, (as weve tried to do on more than 50 pages of this section), provide visual evidence that dinosaurs and humans did in fact coexist; this time in the art of the 1st century. In this article we will seek to show that not just dinosaurs but that other fauna said by science to have become extinct millions of years ago were still living up to at least the time of the 1st century A.D.

I was in the library this week poring over literally thousands of pages of early Roman art, including the art of 1st century Pompeii. I spent this time in the library after spending weeks trying to find more copies and higher resolution photos of the pieces being presented here online.

If and when I did find them, in the great majority of cases the representations of the art had been cropped so that the offending details had been eliminated. Other companion works were often shown in their entirety and often in higher resolution, but these were not.

Although these art masterpieces should be easy to find, they are not.

As you look at the evidence s8int.com presents here, remember that the keepers of the evolutionary paradigm did everything overtly or subtlety possible to keep us from seeing them. That might tend to lend them additional credibility as evidence supporting interaction since there would be no need to surpress or deny information which does not threaten the paradigm.

The Nile Mosaic of Palestrina and the hunting mosaic from the House of the Physician are incredible works that should be well known to the public in their entirety, but if in fact they were well known, they would be very controversial with respect to the evolutionary timeline.

What we really wonder about is; with respect to the powers that be who conspire to keep this information out of the public eye, do they themselves manage to maintain the belief that dinosaurs and man never coexistedor is it just the great unwashed true believers out there who have the pure religion? Is the power of denial really that strong?

What we do know is that whatever we do stumble upon here at s8int.com or whatever anyone else discovers is just the tip of the iceberg.

The Nile is not just a river in Egypt.

The Nile is the longest river in the world, stretching northwards for approximately 4,000 miles from East Africa to the Mediterranean. In addition to Egypt, it flows through the African countries of Sudan, Burundi, Rwanda, DR Congo, Tanzania, Kenya, Uganda, and Ethiopia,. Nilotic art like the first century Nile Mosaic of Palestrina detailed life along the Nile.

“The vast Nilotic mosaic (21.3 x 17.3 feet) set into the floor of the apsidal hall adjacent to the sanctuary of Fortuna Primigenia at Praeneste (Palestrina) provides important evidence for what Roman triumphal paintings using topographical conventions may have looked like.

On the mosaic, the Nile winds past vignettes representing exotic landscapes and settlements; the more recondite details are carefully labeled in Greek, underscoring the Alexandrian source of the genre. The precise nature of the relationship between the mosaic and cartographic practices is controversial.

Recently the Palestrina mosaic has been interpreted as an actual topographic map of the Nile: the upper part of the mosaic represents Ethiopia, the upper zone of the lower section represents Egypt, and the foreground represents the Delta, top to bottom understood as south to north, the standard convention for ancient maps.

More likely, however, the mosaic provides a large, coherent landscape composition of the Nile during the flood season, nevertheless dependent on topographical conventions”.( Meyboom )

Dinosaur Art From the House of the Physician-Mid First Century A.D.

“Pompeii is a ruined Roman city near modern Naples in the Italian region of Campania, in the territory of the commune of Pompei. It was destroyed during a catastrophic eruption of the volcano Mount Vesuvius on 24 August 79 AD.

The volcano buried the city under many metres of ash and it was lost for 1,600 years before its accidental rediscovery in 1748. Since then, its excavation has provided an extraordinarily detailed insight into the life of a city at the height of the Roman Empire”……Wikipedia

IMAGES: Both of the images on the left are from the “Hunt” mosaic discovered in the House of the physician in Pompeii, Rome.

When the images are discussed, it is within academia, not with the general public.

The apology given for the oversized reptiles is that they are simply nile crocodiles. This is not the case. As we will show, the crocodiles on these Nile works were rendered realistically and accurately as shown in this rendering from the Nile Mosaic on the right.

Note that in the image on the left, and in the complete mural below a man is battling a reptile taller than himself with a shield and a spear. Compare the man, the dinosaur and the building at the center of the image.

The creature on the right has a dermal ridge, unlike a crocodile but exactly like certain dinosaur types which might be safer to sit astride as we will explore below.

Hunt mosaic..

CLICK HERE FOR HIGH RESOLUTION MOSAIC IMAGE

Low stature, armored dinosaur comparison.
.

There are many armored dinosaur types that fit this reptile portrayal at least as well as the crocodile. Most of them had “low slung” bodies with heights of six feet high or less. One can make up his/her own mind but the hunter astride the reptile is between “plates” on its bck. In addition to the examples shown here, other candidates can be seen by following this link.

Another denial tactic is to label the dark skinned peoples in these mosaics as pygmies (to account for reptile towering over native). However, authorities on Roman art note that its not just blacks who are made dimunitve in Roman art but that it was a way of making the Romans seem superior.

African-Roman hercules

African-Roman Hero, Hercules. Fresco, Imperial Roman Pompeii.

Title: Hercules stands beside the enthroned Lydian Queen Omphale

Not only blacks were diminutive in the pieces, white or light skinned persons were dwarfed as well. As a matter of fact, Snowden, in his book “Before Color Prejudice” makes note of the eligaritan nature of the Roman civilization, and apparent lack of color discrimination, using examples from ancient Roman Art; many works showing scenes involving both dark skinned and light skinned citizens.

With respect to the three pieces found at the House of the Physician, all portray light skinned and dark skinned dwarves.

This includes “Judgment of Solomon”, (NOT SHOWN) which depicts the Jews as dwarfed and as both dark skinned and light skinned peoples.

The work below is also first century, from the House of the Physician at Pompeii.

Dinosaur Depiction on Roman Mosaic at Sepphoris?

From the Top of the Page: Detail from floor mosaic discovered at Sepphoris. This is a nilotic scene incorporated into the Dionysos Mosaic.

The mosaic is dated between the first and third centuries. A great earthquake destroyed Sepphoris in 363 A.D.

Note that here warriors/hunters battle the “large reptile” using shields and large rocks.

Pteranodon on a Stick: Egyptian “Was” Scepter Creature No Mystery Without Darwinian History

Uncategorized | Posted by Chris Parker
Sep 28 2009


by Chris Parker, copyright 2009

The Was scepter was a ubiquitous Egyptian symbol signifying power and authority and hundreds of examples of it have been found in Ancient Egyptian art; usually in connection with Egyptian “gods” and Pharaohs as well as with other authority figures.

In the past month or so, I have received several emails to the effect that the mystery creature which sits atop of the Was scepter (in most cases) is clearly a pterosaur. I believe I’ve received separate correspondences from Garth Guessman of Genesis Park and Cliff Paiva of BSM Associates.


Mr. Paiva’s article on this topic can be found here.

Photo, Right: Faience votice was-scepter, excavated at Faras in Nubia, Late period, MMA 41.2.9. Click photo for larger version.
In my own research, I‘ve seen writer after writer and one Egyptian Authority after another speculate freely and inconclusively about the mystery creature that sits atop this well-known and researched Egyptian symbol. Could it be a rabbit they wonder? Could it be a type of bird? Is it an amalgam of several animals?

Surely, it is like other Egyptian symbols and based upon a real creature? If so, what was that creature, they wonder? Novel theories have been put forward to explain the origin of the mystery creature and yet, the identity of the creature is really quite evident—if one knows where to look.

It is quite clearly a representation of a pterosaur and specifically, based on the current scientific nomenclature about these creatures; it appears to be representation of a pteranodon. The one thing that it appears to be– can’t be considered by serious “academics” because Darwanism has twisted the history of the planet.

Photo:Left; Comparison of Nubian Was Scepter with modern depictions of pteranodon. The Egyptian version looks friendly compared with modern versions and his prong is “ornamented” perhaps with skin or keratin. Click for Higher Reso photo.
Had the Egyptians seen these creatures alive, and the evidence indicates that they did, they would have been quite impressed as some of them reached a height of six feet and had wingspans up to 33 feet or so.

It is true however, that to date fossils of pteranodon have not been found in Egypt or on the continent of Africa, although pterosaurs have been found—but the evidence speaks for itself.
Pteranodons are known for the backwards projecting spike or prong that forms a portion of their skulls. There are of course, several types of Pteranodons and the Egyptian examples may or may not be from a known group.

Photo:Right;Kom Ombo and Ombi – is an agricultural town in Egypt famous for the Temple of Kom Ombo. It was originally an Egyptian city called Nubt, meaning City of Gold (not to be confused with the city north of Naqada that was also called Nubt/Ombos). It became a Greek settlement during the Greco-Roman Period. The town’s location on the Nile 50 km north of Aswan (Syene) gave it some control over trade routes from Nubia to the Nile Valley, but its main rise to prominence came with the erection of the temple in the 2nd century BC…Wikipedia


Artists that have never seen pteranodon have speculated in their drawings as to how the backwards projecting prong presented itself on the live creature. There tends to be an incredible amount of group think in their portrayals, even as to the angle and perspectives shown which rarely change.

In most cases, the “prong” is shown without any “ornamentation”; however, the Egyptian artists have generally portrayed the prong with ornamentation. It is certainly fair to say that the Egyptian version is plausible given the pteranodon skull fossils that have been found.

Comparison of Kom Ombo “mystery creature” with modern pteranodon interpretations. Drawing on the left selected because artist imagined a pteranodon similar to the Egyptian version. Click for high reso photo

In this collection, we’ll look at some of the speculation concerning the Was scepter as well as compare a number of them with current artistic renderings of the Pteranodon. Pteranodon was thought by science to have been extinct for 75 million years. The ancient Egyptian culture is not nearly that old of course suggesting that science is wrong…..s8int.com

“Was” Speculation:

Was Scepter

Photo:Right; Was sceptre in the Egyptian antiquities section in the British Museum. Click for Higher Resolution photo/

(was) Appearance: The was scepter is a straight staff with a forked base and topped with an angled transverse section. The top of the staff was often shaped as the head of some fantastic creature, perhaps the bennu bird.

Originally, the was scepter may have been a fetish associated with the spirit of a sacred animal, or perhaps it was simply a herdsman’s staff”….Ancient Egypt and Mythology

“Was (“power”) scepters represent the typhonic or Set-animal (the mascot of the Egyptian god Set). Was scepters were depicted as being carried by gods, pharaohs, and priests, as a symbol of power, and in later use, as a symbol of control over the force of chaos that Set represented.

Was scepters often occur in paintings, drawings, and carvings of gods, and remnants of real Was scepters have been found constructed of faience or wood, where the head and forked tail of the Set-animal are visible.

Photo: Left; Comaparison of British Museum Was scepter creature with modern versions of pteranodon from fossils. Click for Higher Resolution photo
The Was (w s) is also the Egyptian hieroglyphic character that stands for a word meaning power.
In their 2004 book The Quick and the Dead, Andrew H. Gordon and Calvin W. Schwabe speculated that the Ankh, Djed and Was symbols were derived from various parts of a bull that were significant in ancient cattle culture, thus:
• the Ankh – symbol of life – thoracic vertebrae of a bull (seen in cross section)
• the Djed – symbol of stability – base or sacrum of a bull’s spine
• the Was sceptre’ – symbol of power and dominion – a staff made from a dried bull’s penis that was the symbol for the goddess Wosret or Wasret.

Photo:Right: “Detail of the “Mysterious” Was Sceptre. A symbol of Ancient Egyptian Divine Royalty, there is hardly a depiction of a god or goddess without it. We know very little about this instrument. No one even knows what the head is depicting, a rabbit, a fox or some other canine, even an ass or the ancient bennu (Phoenix) bird. it’s one of the most important symbols in all Egyptology right along with the ankh wedjet and djed. This detail was taken from Hathor temple, Dendera”……. Hazelra

The Was has a forked top and a tripod base. One suggestion is that the staff was pushed into the ground and a line of sight set through the fork, hence the ruler of all he surveyed.”..Wikipedia

Re: Origins of the Mysterious “Was”-Scepter

“Well, of course it was also a lingual phonetic component, and it has the phonetic value ws. But nearly every other hieroglyphic sign has a “meaning” in the sense that it is derived from a picture of a real world object : man, woman, parts of the body, mammals, birds, buildings, ships, ..

Photo; Left. Comparison of Dendera “creature” with more modern depictions of pteranodon. In one case we’ve added the Egyptian “prong detail” to a current depiction to take note of the results. Click photo for higher resolution.

Even the abstract symbols for life, stability and protection. The Ankh sign (S 34) for life resembles the
body of a person with outstretched hands, The Djed sign (R 11) for stability is a picture of a row of pillars.

The protection sign (V 17) resembles a seal that protects a content.

The “Was” sign depicts a scepter, and it was the symbol for dominion and power. If it was a symbol for power because the kings used it, why did the kings used exactly this scepter ? The question is : why has the “Was” scepter exactly this form and not another ?

What is the original function of it ? What is the origin of this sign ? There must be an origin somewhere in the physical world, because it is a very old sign, a sign that is frequently used in
and before the old kingdom.

Photo: Right; Another view of the Was Scepter compared with modern depictions of the pteranodon from the same point of view. Click for Higher Resolution photo
The development of the writing systems tells us (see e.g. Geoffrey Sampson’s Book Writing Systems, 1985), that every ancient writing system – the egyptian hieroglyphs, the sumerian cuneiform and the chinesesymbols – is derived from pictographic symbols.

For example, the Chinese symbol for “landscape” (shan shu) is a combination of the symbols for mountain and water, the sign for “man” is a combination of the symbols of power (a strong arm) and a
rice field. (working in the rice field was the work of man in china)”…Jochen Fromm

Pteranodon
Photo:Left; Was-Scepter, Wadj-Scepter, Faience Late Period – Macedonian Period, circa 664-305 B.C.E) Provenance not known Broolyn Museum 37 1650E, 37 886E, Charles Edwin Wilbour Fund Photo © Joan Lansberry, May 2008. Click for Higher Resolution photo

Pteranodon (pronounced /t??ræn?d?n/; from Greek ????- “wing” and ??-???? “toothless”), from the Late Cretaceous of North America (Kansas, Alabama, Nebraska, Wyoming, and South Dakota), was one of the largest pterosaur genera, with a wingspan of up to 9 metres (30 ft).

Pteranodon is known from more fossil specimens than any other pterosaur, with about 1,200 specimens known to science, many of them well preserved with complete skulls and articulated skeletons, and was an important part of the animal community present in the Western Interior Seaway

Pteranodon was a reptile, but not a dinosaur. By definition, all dinosaurs were diapsid reptiles with an upright stance, and consist of the group containing saurischians and ornithischians. While the advanced pterodactyloid pterosaurs (like Pteranodon) had a semi-upright stance, this evolved independently of the upright stance in dinosaurs, and pterosaurs lacked the distinctive adaptations in the hip associated with the dinosaurian posture.

However, dinosaurs and pterosaurs may have been closely related, and most paleontologists place them together in the group Ornithodira, or “bird necks”.

Prong or crest

Photo:Right; Cairo Museum. Gilded wood statue of Ptah, with bronze was scepter, inlaid with gold. The base titles him, Ptah, Lord of Ma’at, and also names Tutankhamun. Note the was symbol (pteranodon). Click for Higher resolution

The most distinctive characteristic of Pteranodon is its primary cranial crest. These crests were consisted of skull bones (frontals) projecting upward and backward from the skull. The size and shape of these crests varied due to a number of factors, including age, sex, and species.

Male Pteranodon sternbergi, the older species, had a more vertical crest with a broad forward projection, while their descendants, Pteranodon longiceps, evolved a narrower, more backwards-projecting crest. Females of both species were smaller, and bore small, rounded crests..

…though the function of the crest has been a subject of debate. However, most explanations have focused on the blade-like, backward pointed crest of male P. longiceps, and ignored the wide range of variation across age and gender. The fact that the crests vary so much rules out most practical functions other than for use in mating displays.

In 1943, von Kripp suggested that the crest may have served as a rudder, an idea embraced by several later researchers. One researcher, R.S. Stein, even suggested that the crest may have supported a membrane of skin connecting the backward-pointing crest to the neck and back, increasing its surface area and effectiveness as a rudder.

The rudder hypothesis again does not take into account females or P. sternbergi, which had an upward-pointing, not backward-pointing crest. Bennett also found that even in its capacity as a rudder, the crest would not provide nearly as much directional force as simply maneuvering the wings.

The suggestion that the crest was an air break, and that the animals would turn their heads to the side in order to slow down, suffers from a similar problem. Additionally, the rudder and air break hypotheses do not explain why such large variation exists in crest size even among adults.

Conclusion
Many times here we have presented ancient artifacts or ancient objet’s d’art that we were convinced proved that ancient man had encountered dinosaurs or other creatures that science claims have been extinct for millions of years. What’s unique here is that we have multiple examples of the alleged “extinct” creature. The unique shape of the pteranodon’s head has been idealized in many instances with respect to the Was scepter but there are enough examples with clear details which prove the case.

Is this all too much for your Darwinian trained mind? That’s understandable. After all, who are you going to believe; science or your own lying eyes? :0)

Why not start over with creatures that have only supposedly been extinct for 10,000 to 2,000,000 years and if you can deal with them, then maybe try the pteranodon again.

That Dog Won’t Hunt! -Dog in Turtle Shell Appears to be a Glyptodont

Late Survival of Megatherium in South America-Olmec Culture Representation

Denial Is Not Just A River In Egypt:Suppressed Evidence of Human, Dinosaur and Other “Extinct” Fauna Interaction
in First Century Roman, Nilotic Art

See Also:Tracking Living (Or Recently Dead) African Pterosaurs
Draft 1

That Dog Won’t Hunt! -Dog in Turtle Shell Appears to be a Glyptodont

Crypto, Dinosaurs in Literature, s8int.com, Science, Unexplained Artifact | Posted by Chris Parker
Feb 28 2009

The guys at Barakat gallery aren’t scientists any more than we are, but; a dog in a turtle shell!?

It appears instead to be one of the varieties of the glyptodonts, who were inhabitants of South America, supposed to have gone extinct between 15,000 and 2,000,000 years ago.

We are certain that this is an accurate depiction of an actual living animal rather than a mythological dog/turtle. There is a stong similarity between the glyptodonts, the anklyosaurs and certain of the giant armadillos, and this object is certainly closer to them, particularly the glyptodonts than it is to a turtle-shelled dog. It’s somewhat surprising that they did not go to that tried and true “worship object” or fetish.

In the photo below, the Pre Columbian artifact from between 300 B.C. and 300 A.D. is compared from bottom right, clockwise to; glyptodont, top left an 18th century Dogon glyptodont depiction (in our humble opinion), and a depiction of Doedicurus, a type of glyptodont supposed to have lived during the Pleistocene.

“Colima Vessel in the Form of a Dog with a Turtle Shell –

Origin: Western Mexico
Circa: 300 BC to 300 AD
Catalogue: V4
Collection: Pre-Columbian
Style: Colima
Medium: Terracotta
In the mythology of ancient Meso-America, the gods sometimes played strange tricks with nature: men were changed into animals, odd hybrids were created, the world was turned upside-down.

This fascinating turtle-dog, with his beautifully burnished shell, perhaps played a key role in the deceased’s passage into the underworld. He challenges our notions of the conventional world even as he delights both the eye and the hand. “…Barakat Gallery

Glyptodon was one of the biggest ancient armadillos. Fossils of this car-sized mammal have been found in Argentina, South America. Glyptodon lived in the Ice Ages, during the Pleistocene (between 2 million and 15,000 years ago). Glyptodon (meaning “carved tooth”) was named by paleontologist R. Owen in 1839. These herbivores (plant-eaters) may have been preyed upon by saber-toothed cats….Wikipedia